With the philosophy of Yogaraja Bhat the power house of Kannada cinema Puneeth Rajakumar looks different and diligent compared to all his previous films.
When the two power rangers are at work it ought to be different, sensitive, entertainer etc. Yoaraj Bhat with his varied mind and applying it on Puneeth Rajakumar and a few others comes close to the philosophy at the climax of the film. You do what your heart says is his first theory in the film and second but most important is live happily with the passing away of dear ones is too early in Puneeth Rajakumar film. At the outset the modern days ‘Jeevana Chaitra’ indeed!
When the destiny gives something not expected for ‘Paramathma’ the same situation happens to ‘Punyathma’ Dr Rajakumar in ‘Jeevana Chaitra’. Dr Rajakumar goes to Kashi and Badrinath. Our Paramathma goes to Himalayan hill top in the opening scene of the film. ‘Taste Madidru Karagalla Waste Madidru Karagalla’ in fact carries throughout the thousands of feet of cinema.
Look at agriculture Parmathma takes up at the end – Dr Rajakumar favorite job of tilling the land his son does at his 16th film.
The taste Paramathma leaves for the viewers and waste at times looks different in his life. The happiness in him till the last reel ‘Karagalla’ – that is the modern days ‘Paramathma’ a sort of attached detachment to developments in life.
Mount Everest Puneeth Rajakumar climbing in the opening scene has a good synonym to his career in films. He has reached such a peak and director Yogaraj Bhat also climbing that height ever since ‘Mungaru Male’.
This MSC fail and BSC gold medalist Paramathma is really an intellect. He goes on doing things – Kung Fu (learning at Bailkuppe – declaring it as China), Rudra Yaga, Gaali Machine, bet fighting…and finally saying happiness in confusion.
Often called as ‘Karadi’ for Param, he has Paseena, Thithi Vade, Muthaidhe, Thogari Bele etc as his friends. All of them are not serious but Param has love interest only with Thithi Vade that is Deepa. Paseena is also in love with him but he considers her as a ‘baby’.
After many fun, anger and ticklish situations Param gets Thithi Vade as his wife and he even prepare for ‘Thithi Vade’ eventually from the point of view of the audience.
What is the objective of the director? Paramathma is above all human sentiments. He has to live like that is what he focus in the film.
As Paramathma rightly says ‘Belagge Love Madi, Mandyanha Novu and Sayankala Dasavala Hoovu’ days the highest standard of the film one has to understand giving a serious look.
Nagu Nagutha Nali Nali Novagutha iddaga Saha Haage Bali is the crux.
There is very good fascination for songs and funny lines that too from director Yogaraj Bhat. The other two trump cards of this film are cameraman Santosh Rai Pathaje and V Harikrishna.
Puneeth Rajakumar has not disappointed his fans. He has three chilling action scenes. He is a chatterbox in this film. He gives loads of happiness.
Deepa Sannidhi ‘Mugbattu’ and Muginalli iro Kopa is appealing. She has a terrific fortune in cinema. How come Aindrita Ray and Ramya Barne got reduced to second and third fiddle in this movie?
Rangayana Raghu, Ananthnag, Avinash are screen stealers in this ‘Paramathma’.
Youths especially do not take the Song College Gateally….very seriously. It is only for fun Yogaraj Bhat has written such lines in ‘Chombeshwara’.
Audience would say at the end for height that the film takes ‘Paravashanadenu….
Title - PARAMATHMA Producers Jayanna and Bogendra, Cinematography Santosh Rai Pathaje, Music V Harikrishna, Cast - Puneeth Rajakumar, Ananthnag, Deepa Sannidhi, Aindrita Ray, Ramya Barna, Dattanna, Rangayana Raghu, Avinash, Raju Thalikote, Nagaraj Aras, Sudhakar, Vikram, Anaji Nagaraj, Basavaraj Koppal, Irina, Shwetha Pandit, Veena Narasetty, Prakash Raj Mehu, Vinayak Poojar, Satish, Jayanna, Ravi Santhehaklu, Siddi Prashanth and others.